#after the sky

[catmask]

my mom loves to lie and like she always swears she was NEVER homophobic or anything to me as a child “i even have a gay work friend” but a really funny memory resurfaced recently where i asked if i could use birthday money i had to buy a rainbow flag when i was like ??? 7?? because i LOVED rainbows. and she said no that means something Evil and god will hate you . so what did i do. but ask my grandmom for a rainbow sweater for christmas and proceed to only wear that sweater for three years when it got cold because i didnt like the idea that god hated colors and i wanted to challenge him

[portalmonsterrr]

what if Alhaitham's boob gem is something he had glued to himself in his childhood out of scientific curiosity and hasn't been able to get it off ever since like flint lockwood

[dreamingeyes]

it actually makes me sick to see the NFL, 49ers, and chiefs all make statements supporting Israel and calling palestinians terrorists. YOU'RE SUPPORTING THE TERRORISTS! what israel is doing is GENOCIDE. you're supporting GENOCIDE. who started the war? ISRAEL. who has a huge army? ISRAEL. who has continuously broken ceasefire? ISREAL. who is killing thousands of innocent people a day? ISRAEL. guess who doesn't have an official army and is basically defenseless? PALESTINE.

i wanted to say this again in light of recent events: i highly highly highly encourage anyone who sees this to read Edward W. Said's book After the Last Sky: Palestinian Lives (available on internet archive for free, but i recommend buying it). Said is palestinian, and in the book he talks about his childhood in palestine and the effects of being exiled from his homeland. the book is a true eye opener, and everything that Said says is still relevant today. it also includes photos, which truly emphasize the trauma and horrors the palestinian people have faced.

[darkmuffinstudios]

The bad sanses and (some of) their first times seeing the surface! ^^

(I kind I’d headcanon that not only has Killer (as sans) been to the surface quite a few times, but he’s also been traveling with Nightmare for quite a while haha. Nightmare… well, he always was able to see the sky so yeah haha)

[disgracefulthings]

Yue Qingyuan, whispering: We can't let him know

Liu Qingge, also whispering: He will find out eventually

Shen Qingqiu, walking up on them: What do you have there?

Liu Qingge, quickly hiding something behind his back: Nothing!

Shen Qingqiu: Ah, that wasn't suspicious at all

Yue Qingyuan, also hiding something behind his back: Sorry about that xi- Qingqiu-shidi. It looks like another volume of Regret of Chunshan came out so we had confiscated them from disciples

Shen Qingqiu, hiding his flushing face with a fan: I see, well you both don't need my help for that. I will take my leave

Yue Qingyuan, after making sure Shen Qingqiu is out of earshot: You nearly gave us away!

Liu Qingge: I panicked!

Yue Qingyuan, taking out a book written by 'Arrow Shooting Towards The Sky: We can't let him know about the new harem drama about him. He would never look us in the eyes again!

[purplepenguintime]

Thank you for finally giving them a happy ending 

[dimensionzero]

now that he's managed to dodge all his canon event trauma I think pavitr should get a running joke where he's just immune to spider-man luck

[azulhood]

Jazz is wandering Gotham with Danny after their parents visited the city for a convention but left them behind in the excitement of one of their ghost traps going off on the other side of the country.

The hotel they were staying at kicked them out not caring if they had a place to stay or not, only caring that the source of money had left.

Jazz couldn't show how scared she actually was, not when Danny was looking at her with complete faith that she could somehow fix this.

How he managed to keep that faith after a day of jumping at shadows like they held enemies and vending machine food for lunch was a mystery.

She's tired, she's stressed, and she needs an adult.

Like an actual adult and not her much loved but very scatterbrained parents, Vlad did not count either.

Nightwing: *falls from great heights into nearby dumpster* ...ow.

Jazz: ...You'll do.

[boomxyzu]

He has to find her. He is gonna find her.

And this time it was not for duty or for the kingdom.

[somerandomdudelmao]

Annnd I made the colored ref for this little bity guy hehe

[molynomials]

i better not hear 'viktor didnt love/care for sky' from ANYBODY ever again btw

[perennimal]

creature of light

[skycotl-before-and-after]

I didn’t think the gondola would fit here, much less move.

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[m00nbuggies]

i forgot how pathetic he was in the first couple chapters of toa